Good night, John-Boy: Earl Hamner Jr, the man behind The Waltons, dies aged 92 (2024)

"Good night, John-Boy."

If those words mean nothing to you, you're probably under 40. If they do, you're probably a boomer, to whom they are unforgettable, bound to bring back visions of a better time and a better place, an era, in the words Thursday of one fan of The Waltons, when "family was so much more appreciated."

That era, however, wouldn't be the '60s or the '70s. The setting of The Waltons, from which "Good night, John-Boy" derived fame, belongs to the Depression, where it was set in the foothills of the Blue Ridge Mountains in Virginia, just below the "taller ridges ... rimmed with a fading autumn silver," as Earl Hamner Jr wrote in his semi-autobiographical novel Spencer's Mountain, from which The Waltons was based.

On The Waltons, John-Boy was played by actor Richard Thomas, better known these days not as the bookish country boy he once personified but as the spy-hunting bureaucrat Agent Gaad on another hit series, The Americans.

In real life, John-Boy was indeed Hamner, creator and narrator of the show as well as author of Spencer's Mountain. Now he is gone. He was 92, a veteran of World War II, one of America's best-loved writers and, as the narrator of The Waltons, a much-loved voice.

His son broke the news Thursday on Facebook:

"I am very sorry to be the bearer of sad news. My father, Earl Hamner, passed away today at 12.20pm Pacific time. Dad died peacefully in his sleep at Cedar Sinai Hospital. He was surrounded by family, and we were playing his favourite music, John Denver's Rocky Mountain Collection. Dad took his last breath half way through Ricky Mountain High. We had the good fortune to keep him in our lives a bit longer despite the odds against him. He never got enough of this great gift of life with which we have all been so deeply blessed – and he hung on as tightly as anyone could with insatiable passion and wonder. My heart is broken as I say, 'Goodnight, Dad!'"

All of the Waltons were based on real people – Hamner's family, his grandfather and grandmother, his father and mother, and his brothers and sisters, of whom there were seven in the show but eight in real life.

They lived crowded together in what Hamner described as a "little crackerbox" in Schuyler, Virginia, where his father laboured as a coal miner and factory worker, until the jobs ran out.

While The Waltons may have seemed irrelevant to the social upheaval of the era in which it was broadcast, it was, in fact, an antidote to it.

As the Museum of Broadcasting expressed it: The family portrayal was "in sharp contrast to the problem-ridden urban families of the 'socially relevant' sitcoms such as All in the Family, Maude or Sanford and Son.

"Set in the fictitious rural community of Walton's Mountain, Virginia, during the 1930s, the episodic narrative focused upon a large and dignified, 'salt-of-the-earth' rural white family consisting of grandparents, parents and seven children."

"Audiences in all entertainment media have been brutalised by crudities, vulgarity, violence, indifference and ineptitude," Hamner wrote in the Los Angeles Times in 1972.

With the Waltons "we are attempting to make an honest, positive statement on the affirmation of man."

It was a sanitised version of the Great Depression, though. The production notes, cited in the Museum of Broadcasting by Pamela Wilson, said "That the Waltons are poor should be obvious, but there should be no hint of squalor or debased living conditions usually associated with poverty."

"The story," Hamner said in an oral history for the Archive of American Television, "reminded people a lot of their own experiences or the way they wished their own experiences had been."

As he tells it, it was indeed his own experience, down to the "good night" ritual that concluded each show. With the night descending on Walton's Mountain, the camera would show the lights going out room by room. And as they did, the day's inevitable crisis resolved, the family would banter for a moment about it and finally:

"Good night, John-Boy.

"Good night, Elizabeth.

"Good night, Daddy.

"Good night, Son.

"Good night, Mama.

"Good night, Mary Ellen.

"Good night, Jim Bob."

"That was something that we actually did when I was growing up," Hamner said. "Sometimes we'd get carried away saying so many good nights that my father, who had to get up in the morning, would say, alright, that's enough. And Richard Thomas, after his first trip to Virginia, he said, 'you know, I always wondered how you people could say good night and be heard. But then I saw the house and it was such a little crackerbox that now I understand.'"

The order of "good nights" varied from episode to episode, of which, by the way, there were over 200, a remarkable achievement particularly in view of the skepticism with which CBS executives viewed the staying power of the series when it debuted in 1971.

"It got around the industry," Hamner said, "that this was a show about poor people living in the Depression years in the backwoods of Virginia. And everybody said, well, 'that won't last.'"

The Waltons ran until 1981, receiving five Emmy awards in its first season and more than a dozen over the years.

Hamner, the AP reported, died in Los Angeles and had recently been battling pneumonia, said Ray Castro Jr., a friend of Hamner's who produced a documentary, Earl Hamner Storyteller, about the writer. In addition to The Waltons, Hamner created the long-running TV drama Falcon Crest and collaborated with Rod Serling on The Twilight Zone.

Hamner is survived by his wife, Jane; son, Scott; and a daughter, Caroline.

The Washington Post